
It takes true talent and your way around textile to produce a collection that can make you both visually pleased and dizzied, all in one. Afar, you might percieve McQueen's latest installment as normal but squint a little closer and you will realise that he is not your old run-of-the-mill kind of man. In a printed room with beams and floors both covered in skulls and dice intertwined to create an optical illusion; if you have not come to love McQueen's slightly grim and sometimes ironic prints, now is the best time for you to look away.
Evolving from last season's paint stained pieces to more prints than your eye can take in at one moment, PVC jackets and face masks (that might bring back memories of Anthony Hopkins in 'Silence of the Lambs') take on McQueen's British flair. If you are looking for a Fall alternative to Romain Kremer's Spring 2010 mouth covering tops or could not get enough of the Dior's Fall 2003 of extreme PVC turtlenecks, look no further. What would normally give off a bondage and kinky vibe, only puts the phrase 'it's only human nature' to work.
Managing to not make a mess out of what it seemed like a million prints; zips, knits and fur brought home the 36 look collection. Symbolically taking you on a journey from light to dark, starting off with a printed suit at the beginning of the show to the black PVC that was its end, McQueen is nothing but psychedelic goodness. Click here for full runway collection.


















































